Lucrezia Ceselin
Lucrezia Ceselin (Venice, 2000) is a visual artist specializing in photography. After graduating in Figurative Arts from the Liceo Artistico in Venice (2019), she earned a degree in Photography and Audiovisual at RUFA – Rome University of Fine Arts (2023).
Her artistic research explores themes related to memory, organic transformation, and the Venetian lagoon landscape, with a particular focus on the relationship between nature and human presence.
In 2025, she won first prize in the “Image” section of the Artefici del Nostro Tempo competition with her work Biomimesi, selected for the Venice Pavilion at the 19th International Architecture Exhibition – La Biennale di Venezia. That same year, she was selected as the winner of the open call La Materia del Tempo, promoted by the Fondazione Musei Senesi in collaboration with Giostre Edizioni, the Municipality of Montalcino, and Opera Laboratori, dedicated to photography as a practice of listening to and narrating archaeology.
Among her most significant projects is Habitat 1150, a photographic archive documenting the metamorphosis of the lagoon territory, published in national media outlets such as L’Espresso (2023) and presented in various group exhibitions.
Her artistic research explores themes related to memory, organic transformation, and the Venetian lagoon landscape, with a particular focus on the relationship between nature and human presence.
In 2025, she won first prize in the “Image” section of the Artefici del Nostro Tempo competition with her work Biomimesi, selected for the Venice Pavilion at the 19th International Architecture Exhibition – La Biennale di Venezia. That same year, she was selected as the winner of the open call La Materia del Tempo, promoted by the Fondazione Musei Senesi in collaboration with Giostre Edizioni, the Municipality of Montalcino, and Opera Laboratori, dedicated to photography as a practice of listening to and narrating archaeology.
Among her most significant projects is Habitat 1150, a photographic archive documenting the metamorphosis of the lagoon territory, published in national media outlets such as L’Espresso (2023) and presented in various group exhibitions.